{"id":58,"date":"2024-08-05T01:45:25","date_gmt":"2024-08-05T01:45:25","guid":{"rendered":"https:\/\/equipeartetmusee.uqo.ca\/?page_id=58"},"modified":"2026-06-09T19:43:57","modified_gmt":"2026-06-09T19:43:57","slug":"realisations","status":"publish","type":"page","link":"https:\/\/equipeartetmusee.uqo.ca\/index.php\/realisations\/","title":{"rendered":"R\u00c9ALISATIONS"},"content":{"rendered":"\n

R\u00e9alisations<\/h1>\n\n\n\n
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2022<\/h3>\n\n\n\n
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Colloques et journ\u00e9es d\u2019\u00e9tude<\/strong><\/h3><\/div><\/div>
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Conf\u00e9rences<\/strong><\/h3><\/div><\/div>
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Expositions<\/strong><\/h3><\/div><\/div>
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Publications<\/strong><\/h3><\/div><\/div>
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R\u00e9alisations num\u00e9riques<\/strong><\/h3><\/div><\/div>
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Cours, s\u00e9minaires et activit\u00e9s de formation<\/mark><\/strong><\/h3><\/div><\/div>
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Conf\u00e9rence de Karen Elaine Spencer organis\u00e9e dans le cadre du S\u00e9minaire en mus\u00e9ologie et pratiques des arts : l\u2019exposition<\/em><\/a><\/strong> (en ligne)<\/strong><\/p>\n<\/div><\/div><\/div>\n<\/div><\/div><\/div><\/div>\n<\/div>\n\n\n\n

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2023<\/h3>\n\n\n\n
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Colloques et journ\u00e9es d\u2019\u00e9tude<\/strong><\/h3><\/div><\/div>
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Colloque Acqu\u00e9rir diff\u00e9remment<\/em> au Mus\u00e9e des beaux-arts du Canada<\/a><\/strong><\/p>\n\n\n\n

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Journ\u00e9e d’\u00e9tude Quand l’art contemporain transforme le mus\u00e9e<\/em> au Mus\u00e9e des beaux-arts de Montr\u00e9al<\/a><\/strong><\/p>\n<\/div><\/div><\/div>\n\n\n\n

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Conf\u00e9rences<\/strong><\/h3><\/div><\/div>
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Conf\u00e9rence de Thierry Dufr\u00eane La forme de l’exposition comme <\/em>\u00ab imagination raisonn\u00e9e <\/em>\u00bb \u00e0 la Galerie UQO<\/strong><\/a><\/p>\n\n\n\n

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Conf\u00e9rences au Symposium L\u2019effet Humboldt V : alimenter le feu<\/em> \u00e0 l’Universit\u00e9 du Qu\u00e9bec \u00e0 Montr\u00e9a<\/a><\/mark>l (UQAM)<\/strong><\/p>\n<\/div><\/div><\/div>\n\n\n\n

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Expositions<\/strong><\/h3><\/div><\/div>
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Exposition Mirement\/L\u2019instabilit\u00e9<\/em> de Genevi\u00e8ve Chevalier \u00e0 la Galerie UQO<\/strong><\/a><\/p>\n\n\n\n

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Exposition L’\u0153il attentif<\/em> \u00e0 la Fondation Guido Molina<\/a>ri<\/strong><\/p>\n<\/div><\/div><\/div>\n\n\n\n

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Publications<\/strong><\/h3><\/div><\/div>
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R\u00e9alisations num\u00e9riques<\/strong><\/h3><\/div><\/div>
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Cours, s\u00e9minaires et activit\u00e9s de formation<\/strong><\/h3><\/div><\/div>
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Entretien avec Massimo Guerrera dans le cadre des Conf\u00e9rences des cycles sup\u00e9rieurs<\/strong><\/strong> – Prendre soin des environnements de pratique<\/em> (en ligne)<\/strong><\/a><\/p>\n\n\n\n

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Rencontres de Fabiano Kueva avec Emmanuelle Choquette autour du projet Archive Alexandre de Humboldt Montr\u00e9al<\/em> \u00e0 l’Universit\u00e9 Laval et \u00e0 l’Universit\u00e9 du Qu\u00e9bec en Outaouais<\/strong><\/a><\/p>\n<\/div><\/div><\/div>\n<\/div><\/div><\/div><\/div>\n<\/div>\n\n\n\n

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2024<\/h3>\n\n\n\n
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Colloques et journ\u00e9es d\u2019\u00e9tude<\/strong><\/h3><\/div><\/div>
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Journ\u00e9e d\u2019\u00e9tude L\u2019activisme dans les collections<\/em> \u00e0 l’Institut national d\u2019histoire de l\u2019art (INHA)<\/strong><\/a><\/p>\n\n\n\n

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Colloque international La collection est-elle une ressource ou un fardeau\u2009?<\/em><\/a><\/strong><\/p>\n<\/div><\/div><\/div>\n\n\n\n

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Conf\u00e9rences<\/strong><\/h3><\/div><\/div>
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Conf\u00e9rence de St\u00e9phane Bellin Fabriquer la m\u00e9moire documentaire de la performance : documents d\u2019artistes et Artexte, une analyse compar\u00e9e franco-qu\u00e9b\u00e9coise<\/em> \u00e0 la Galerie UQO<\/strong><\/a><\/p>\n<\/div><\/div><\/div>\n\n\n\n

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Expositions<\/strong><\/h3><\/div><\/div>
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Exposition Inventaires d’une collection<\/em> \u00e0 la Galerie de l’UQAM<\/a><\/strong><\/p>\n<\/div><\/div><\/div>\n\n\n\n

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Publications<\/strong><\/h3><\/div><\/div>
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Publication Mirement\/Towering<\/em> de Genevi\u00e8ve Chevalier co\u00e9dit\u00e9e par Dazibao, la Galerie UQO et la Galerie d’art Foreman<\/mark><\/a><\/strong><\/p>\n<\/div><\/div><\/div>\n\n\n\n

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R\u00e9alisations num\u00e9riques<\/strong><\/h3><\/div><\/div>
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Capsule vid\u00e9ographique de Genevi\u00e8ve Chevalier \u2013 Mirement <\/em><\/a><\/strong><\/strong><\/p>\n\n\n\n

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Capsule vid\u00e9ographique de Caroline Boileau <\/strong><\/a>\u2013 <\/a> Corps qui hantent d’autre corps<\/strong><\/p>\n\n\n\n

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Capsule vid\u00e9ographique d’Emmanuelle Choquette et Fabiano Kueva \u2013 Objects in Translation<\/em><\/a><\/strong><\/p>\n\n\n\n

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Capsule vid\u00e9ographique de Michael Blum \u2013 Ausgrabungen<\/em><\/a><\/strong><\/p>\n<\/div><\/div><\/div>\n\n\n\n

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Cours, s\u00e9minaires et activit\u00e9s de formation<\/strong><\/h3><\/div><\/div>
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2025<\/h3>\n\n\n\n
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Colloques et journ\u00e9es d\u2019\u00e9tude<\/mark><\/strong><\/h3><\/div><\/div>
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Colloque international Max et Iris Stern \u00c0<\/em> risque<\/em>\/Risk Taking<\/em><\/em> du Mus\u00e9e d’art contemporain de Montr\u00e9a<\/a>l<\/strong> au Centre canadien d’Architecture<\/strong><\/p>\n\n\n\n

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Journ\u00e9e d\u2019\u00e9tude Critique de l\u2019\u00e9coresponsabilit\u00e9 dans les pratiques artistiques et mus\u00e9ales<\/em> organis\u00e9e par Genevi\u00e8ve Chevalier et Marie-H\u00e9l\u00e8ne Leblanc et pr\u00e9sent\u00e9e \u00e0 la Galerie UQO<\/a><\/mark><\/strong><\/strong><\/p>\n\n\n\n

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Table ronde Collectionner des \u0153uvres blockchain et NFT<\/em><\/a><\/strong><\/p>\n<\/div><\/div><\/div>\n\n\n\n

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Conf\u00e9rences<\/strong><\/h3><\/div><\/div>
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Conf\u00e9rence \u00ab Mus\u00e9es et expositions queers : construire une histoire queer de l’art \u00bb<\/a><\/strong><\/p>\n\n\n\n

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Conf\u00e9rence \u00ab<\/strong><\/strong> Andrea Fraser : visites de mus\u00e9es <\/em>\u00bb<\/strong><\/strong><\/a> \u00e0 la Galerie UQO<\/strong><\/a><\/p>\n<\/div><\/div><\/div>\n\n\n\n

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Expositions<\/mark><\/strong><\/h3><\/div><\/div>
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Exposition Archives by Artists<\/em><\/a><\/strong> <\/a><\/em>\u00e0 la Galerie UQO<\/a><\/strong><\/p>\n\n\n\n

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Exposition<\/a> Andrea Fraser : visites de mus\u00e9es <\/em>\u00e0 la Galerie UQO<\/a><\/strong><\/p>\n\n\n\n

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Exposition The People\u2019s Collection<\/em> de Ana Mendes \u00e0 Arprim<\/a><\/strong><\/p>\n<\/div><\/div><\/div>\n\n\n\n

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Publications<\/strong><\/h3><\/div><\/div>
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R\u00e9alisations num\u00e9riques<\/strong><\/h3><\/div><\/div>
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Cours, s\u00e9minaires et activit\u00e9s de formation<\/mark><\/strong><\/h3><\/div><\/div>
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Rencontres avec Ana Mendes et Emmanuelle Choquette autour de l’exposition offert \u00e0 Arprim Nous n’avons jamais \u00e9t\u00e9 d\u00e9coloniaux. Questions pour une pens\u00e9e incertain<\/em>e \u00e0 l’Universit\u00e9 Laval et \u00e0 l’Universit\u00e9 du Qu\u00e9bec en Outaouais<\/a><\/strong><\/p>\n<\/div><\/div><\/div>\n\n\n<\/div><\/div><\/div><\/div>\n<\/div>\n\n\n\n

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2026<\/h3>\n\n\n\n
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Colloques et journ\u00e9es d\u2019\u00e9tude<\/mark><\/strong><\/h3><\/div><\/div>
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\u0152uvres variables : Ce qui reste au mus\u00e9e quand tout change, <\/em>colloque international \u00e0 l\u2019Universit\u00e9 Sorbonne Nouvelle<\/a><\/strong><\/p>\n<\/div><\/div><\/div>\n\n\n\n

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Conf\u00e9rences<\/strong><\/h3><\/div><\/div>
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Expositions<\/strong><\/h3><\/div><\/div>
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Publications<\/strong><\/h3><\/div><\/div>
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R\u00e9alisations num\u00e9riques<\/strong><\/h3><\/div><\/div>
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Capsule vid\u00e9ographique d’Ame\u0301lie Gigue\u0300re – Repe\u0301rer des \u0153uvres de performance dans les collections<\/a><\/strong><\/strong><\/p>\n\n\n\n

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Cours, s\u00e9minaires et activit\u00e9s de formation<\/strong><\/h3><\/div><\/div>
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